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- Don't Look Back: Seeing the Real Bob Dylan at Last? | Consequence of Sound
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- Remember rock stars? With Bob Dylan and ‘Dont Look Back,’ D.A. Pennebaker invented the ideal!
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Orpheus Chaconne Is this feature helpful? Thank you for your feedback. Share your thoughts with other customers. Write a customer review. Customer images. See all customer images. Read reviews that mention bob dylan look back joan baez homesick blues subterranean homesick dylan fan albert grossman baby blue tour of england black and white hotel room direction home fly on the wall hattie carroll ain babe cinema verite minus zero back pages science student bob neuwirth.
Showing of reviews. Top Reviews Most recent Top Reviews. There was a problem filtering reviews right now. Please try again later. Terrific tour document by D. Pennebaker, this effort captures Dylan behind the scenes transitioning from folk hero to urbane rock icon. Dylan is transfixing on stage and a petulant brat backstage, enabled by a sycophantic entourage including boorish manager Albert Grossman, an irritating Joan Baez along for the ride expecting an invitation to perform with him. It never came. They were young, hipper-than-thou, and stardom had gone to their heads.
But what remains is the quality of Dylan's post folk acoustic songwriting and performance. Though Dylan would claim to be bored with performing solo at this point at this point, you wouldn't know it from his stage craft; steely and dramatic under one bold spotlight. Pennebaker scores brilliantly with the concert footage, though intentionally "not a concert film". For a stark contrast of just how much Dylan's persona had changed in a brief 2 years, a clip of him earnestly singing Only A Pawn In Their game at a Voter's Registration Rally at a rural farm in Greenwood, Mississippi filmed by another is included.
There is a book that includes a word for word transcript of the dialogue in the film, and a little flip book of the Subterranean Homesick Blues film clip. Though novel collector's items, I've yet to take either out of the box. The desirable feature is the extra disc called '65 Revised that contains additional performance and documentary footage.
The extended performance footage is brilliant and the commentary track is highly informative; Pennebaker and Neuwirth discussing film technique and intent and Dylan's skill as a stage artist in hindsight. Neuwirth's role, though at first seeming to be simply a hanger on, of providing the fuel of wit and creative spark for Dylan, is not to be underestimated. It's a 5 star film, given only 4 stars here for the bloated price of this particular edition. But check out Criterion's newer edition that includes '65 Revisited and a bunch of other special features for about a third of this price!
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I was just sick to see that it was cut especially from a deluxe edition like the one I ordered. So, if it were me I would not buy this edition again if I had known that part had been cut out.
The clip can be scene on Youtube - I just don't understand why it couldn't be included here. This is the young Bob Dylan on a three week concert tour of England in It is a tour de force of cinema verite. It is fascinating to watch a young artist of extraordinary talent being asked questions about the meaning of his music. Dylan's incredulous manner in response is funny, ironic, and at times very sarcastic; especially with the totally "out of it" reporter from Time Magazine.
The interview is one of the subjects of a very informative commentary by director and documentary genius D.
Pennebaker and Bob Neuwirth, the tour manager. His treatment of his young fans is a sweet counterpoint to his sarcastic treatment of the press.
Don't Look Back: Seeing the Real Bob Dylan at Last? | Consequence of Sound
He is kind and very solicitous of a gaggle of young girls he has up to his room before a performance. An added pleasure is the snatches of the beautiful voice of Joan Baez who accompanied him on the tour.
Her offstage voice is as beautiful and radiant as onstage; strong and pure. They are great. This a "must see" for Dylan fans. See it before you see "No Direction Home", a brilliant follow-up by Martin Scorsese about a subsequent much more controversial English Dylan concert tour when Dylan had switched from acoustic to electric. This poet is sensitive and sassy. He makes you comfortable then catches you off guard. His genius shines behind his very human texture. It's full of history and great music. You're going to learn a few new things about Dylan, no matter how well you think you know him.
He cuts and heals in the same sentence. He takes you on a journey that not only amazes the viewer but, also, this young man still wobbling and finding his footing. He has a sophisticated coarseness with a wry and dry sense of humor. The film is not high tech, which adds to the storyline, remember, filming this behind the scenes event was long before our digital lenses and technology had more imput than the director. I love this so much! Leave a Comment Cancel Your email address will not be published. Check out the UkuWorld Community today!
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